Stephen Ross, the seventy-seven-year-old billionaire property developer and the owner of the Miami Dolphins, has a winningly informal, old-school conversational style. On a recent morning in Manhattan, he spoke of the moment, several years ago, when he decided that the plaza of one of his projects, Hudson Yards—a Doha-like cluster of towers on Manhattan’s West Side—needed a magnificent object at its center. He recalled telling himself, “It has to be big. It has to be monumental.” He went on, “Then I said, ‘O.K. Who are the great sculptors?’ ” (Ross pronounced the word “sculptures.”) Before long, he met with Thomas Heatherwick, the acclaimed British designer of ingenious, if sometimes unworkable, things. Ross told me that there was a presentation, and that he was very impressed by Heatherwick’s “what do you call it—Television? Internet?” An adviser softly said, “PowerPoint?”
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President Xi and I will always be friends, no matter what happens with our dispute on trade. China will take down its Trade Barriers because it is the right thing to do. Taxes will become Reciprocal & a deal will be made on Intellectual Property. Great future for both countries!
As Mrs. Uihlein ruffled feathers in rural Wisconsin, her husband immersed himself in hyperlocal politics touching on race and social issues. In affluent Lake Forest, Ill., where 90 percent of students are white, he backed a school board slate led by the chief critic of Lake Forest High School’s first black principal, who had criticized honors classes for tracking black students into lower classes.
Ultimately, the dilemma is this: All organic light-emitting diode (OLED) screens can burn-in, and from everything we know, they’re more susceptible than standard liquid crystal displays (LCD). But those same OLED screens produce better image quality than LCD.
“My favorite desk lamp is one that doesn’t obscure my desk. So, I have a floor lamp that kinks to bend around the edge of my desk and can be adjusted to be closer to the desk surface or a little higher. The models are typically called ‘architect lamps,’ so I feel justified. I originally bought it by accident when my roommate bought a smaller version for her desk — I didn’t check the dimensions before hitting ‘purchase’ in my online cart. The base just rests under my desk, but allows me to have a completely free desk surface: Nothing that can be broken by a clean sweep is allowed on the desk.” —Harrison Ratcliff, lead façade designer at LaufsED, New York
Vanity Fair paints YouTube as a kind of Matryoshka doll of vlogging nightmares, threatening content creators will worsen, until they are “all there is” left in culture. Similarly, The Verge claimed these videos would “never pass muster at a traditional outlet”.
He was praised for his inventiveness, across a range of scales, using a range of materials. Heatherwick has a gift for discovering, in a commission for an object, the opportunity for an event: movement, spectacle, play. Bjarke Ingels, the Danish architect, who has collaborated with him, recently said that, unlike many designers, “Thomas is focussed on the jaw-dropping centerpiece—the ‘wow’ moment.” Heatherwick tends to achieve effect more through texture than through form—by, say, stitching or layering a multitude of near-identical parts to make a highly conspicuous whole. His sculpture for an atrium at the Wellcome Trust, in London, is made of a hundred and forty thousand suspended glass spheres, each the size of a plum, arranged into cloudlike forms. He has proposed building a footbridge entirely from a welded cluster of stainless-steel disks. His U.K. Pavilion for Expo 2010, in Shanghai, was a rounded cube formed from sixty thousand translucent acrylic rods that waved in the wind like bullrushes. The design was widely considered a triumph. Rowan Moore, the architecture critic of the London Observer, called it “outstandingly memorable,” noting that “we expect buildings neither to be hairy nor in motion.”
New Year’s Eve will be warmer and wetter than last year’s festivities in New York City, but hosts Ryan Seacrest and Jenny McCarthy are prepared for all conditions as they get ready to take center stage in Times Square. ABC’s “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” airs on Dec. 31 live starting [...]
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